小心翼翼

如果想找一部让你笑出声又笑不出来的怪味喜剧，1992年盖伊·马丁的《小心翼翼》值得一看。 影片风格像一出被放慢的古怪舞台剧，画面刻意做旧，人物动作机械而夸张，每扇门都裹着绒布，连餐具碰撞声都被消音。凯尔·麦克库洛奇演那个总想冲破禁令的儿子，嘴角抽搐的克制让人跟着憋笑憋到肚子疼；格西亚·多布罗夫斯卡把寡妇的饥渴藏在低垂的眼帘下，每个眼神都像在说“快来打破这该死的安静”。还有格西亚·多布罗夫斯卡，她把那种神经质的优雅演得特别绝。所有人都在小心翼翼地维持着表面的平静，直到那些被压抑的欲望和谎言开始像雪崩一样悄悄裂开。这片子适合那些厌倦了套路化笑料、愿意欣赏形式古怪、节奏缓慢的黑色幽默的观众。

In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sonal film, complete with intertitles, crackly sound-track and 'hand-tinted' colour effects.- Written by Michael Brooke

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