父亲2019

《父亲》以近乎人类学观察式的冷静镜头，将一场葬礼后的家庭重组变成精密的情感力学实验。他本来只想按遗嘱把骨灰撒掉，可中途不断被各色古怪人物绊住——加油站喋喋不休的老头、迷路的土耳其司机、甚至一只离家出走的鸵鸟。叙事上以碎片化的日常切片替代线性冲突，父子间的尴尬与温情都潜伏在笨拙的动作间隙里。他越想越不对劲，最终决定拉着自己那个固执、爱发牢骚的老父亲，开着一辆快散架的拉达车，沿着保加利亚灰扑扑的乡村公路去找那个“可能”的亲生父亲。 适合那些跟父母相处时总有点笨嘴拙舌、想靠近又怕尴尬的人看。伊万·博尔内夫饰演的父亲始终处在“尚未完成”的状态——欲言又止的嘴唇、系到一半的鞋带，这种表演上的留白与叙事中频繁插入的闪回形成互文，将哀悼的暗流压在海面之下。

入围第54届卡罗维发利电影节主竞赛单元。　　Vasil has just lost his long-time partner in life, his wife Ivanka. When a woman at her funeral proclaims that the dead woman called her cellphone, Vasil seeks out the help of a well-known psychic in order to try to contact his wife. His son Pavel tries to bring him to his senses, but Vasil stubbornly insists on doing things his own way… Following the internationally successful The Lesson and Glory, Grozeva and Valchanov return with an intimate family drama about the difficulties of connecting with those close to us. As the picture slowly gathers momentum, its story unfolds many of the carefully arranged absurd or comic situations typical for the Bulgarian filmmaking duo.

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