空气之魂，云之精灵

《空气之魂，云之精灵》是亚历克斯·普罗亚斯早期作者风格的一次成型实验。导演刻意削弱因果链，转而用光影的突变和声音的断层牵引情绪，这种反传统结构对观众的主动解读提出了要求。全片几乎只靠三个演员撑起剧情——Michael Lake饰演的瘸腿老人和Melissa Davis饰演的沉默少女，在荒原中的破屋里等待飞行梦想成真，Rhys Davis扮演的闯入者则像一把生锈的刀，划开他们平静的孤独。推荐给不介意慢节奏、愿意沉浸在一段孤独情绪里的观众。梅丽莎·戴维斯演那个有点疯癫的女人特别自然，眼神里带着一种“我知道你在想啥但我不说”的劲儿。三人各怀心事，开始拼凑木头和帆布，仿佛那艘船能带走压在身上的所有阴影。

非常棒的超现实科幻片,与很像,导演Alex Proyas后来还拍了那部著名的,这是他的处女作.以下地址有详细介绍和剧照：　　Like a dream, some things can only be experienced to understand　　This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.　　All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.　　This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.　　Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

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