关于世界末日的不明确报告

走出影院时，走廊的冷光灯晃得人眼睛发疼，可脑子里还盘旋着那个被雨水泡胀的地下室——潮湿的水泥墙缝里渗着暗绿，Dina霍瓦索瓦蹲在那里数蚂蚁，指甲缝里是洗不掉的泥，眼神像被潮水浸过的旧照片，模糊却又往人心里扎。 影片最抓人的是那种"熟悉的陌生感"：防空警报、排队的人群、突然中断的广播信号，都是我们曾经或正在经历的历史碎片。迪娜·霍瓦索瓦的表演几乎摒弃了台词，仅靠瞳孔的细微震颤传递母性本能与食用同类的道德痉挛。迪娜·霍瓦索瓦那张疲惫的脸太有说服力了，她在厨房里默默切洋葱的镜头，比任何尖叫都让人心慌。喜欢“慢刀子割恐惧”的人会懂，它不是要吓你跳起来，是让你深夜躺床上时，突然想起女主没织完的毛衣，针脚里好像藏着没说出口的“怎么办”。 **可能不喜欢的人**：想看电锯女鬼、丧尸追人的；或者习惯“15分钟一个高潮”的——这部戏的“紧张感”是飘在空气里的，得耐着性子“闻”才行。

This is a very bizarre fairy tale. It commences with a wedding and singing and dancing but nearly the whole village is wiped out by wolves. The bride gives birth to a daughter several months later and promises her to the boy who saved her.　　Ten years later there is another disruption when Some circus folk come by and the villagers trick them into staying. Tragedy ensues...　　This has a strange cast, dwarfs, giants, priests and occasional intrusions from the modern world in the form of the police and a wonderer who returns bringing to the village the good news of Nostradamus. It is a long film but it honestly does not drag. and if you get bored of the plot you can always look at the sumptuous Countryside.

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