剪辑师

看《剪辑师》的时候，我一直在“这到底是在认真拍还是故意搞怪”的怀疑里摇摆。主角作为剪辑师，发现自己剪的影片与现实谋杀案一一对应——这个设定在铅黄片里不算新鲜，但影片刻意用粗糙的特效和生硬的衔接来表现“超自然”，反而让人笑得停不下来。乌多·基尔演的那个导演，每次出场都像刚从老式恐怖片海报里走下来，瞪着眼睛念台词，荒诞得让人坐立不安。乌多·基尔出场那场戏，光是一个阴鸷的眼神就把恐怖喜剧的调子拉满，而男主角笨拙地模仿银幕硬汉的台词，反而成了全片最戳人的笑点。他一边对着导演的咆哮和制片人的揩油焦头烂额，一边必须在下一段胶片被剪碎前找出真相。 ☆。

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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