凯歌与挽歌

嘿，朋友，推荐你看《凯歌与挽歌》，这片子特别有意思。如果你曾盯着旧照片发呆，或对历史如何藏进日常物件感到好奇，这部影片会像一根沾着炭灰的手指，悄悄戳破你习以为常的安静画面。剧情不追求完整历程，而是截取他创作《女先知》与《脑残》等作品时的挫折与顿悟，像看一幅画被反复擦除重绘。影片没有激昂的配乐，只有环境音与铅笔摩擦纸面的沙沙声，适合那些不排斥慢节奏、愿意静静观察创作过程与城市呼吸的观众。Kentridge本人不像在“演”，他擦炭条、撕纸、盯着墙面发呆的瞬间，比任何台词都更接近创作的本相。看完你会觉得，原来电影还能这么拍。

Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.

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