犹太人苏斯[电影解说]

跟你说个冷门但挺有意思的——这部《犹太人苏斯》啊，是1940年纳粹时期的宣传片，导演哈尔兰当时可是戈贝尔的红人。演员阵容确实厉害，尤其是Werner Krauss一人分饰多角，把那种刻板印象演得让人背脊发凉；Heinrich George演的反派贵族也有种病态的压迫感。说真的，这片子只适合两类人：一是研究二战宣传史的学者，二是想亲眼见识电影如何被当作杀人凶器的好奇观众。普通观众千万别当娱乐片看，心里要时刻绷根弦——这是毒药，不是艺术。这部影片是研究极权叙事如何将“他者”妖魔化的绝佳文本，适合电影史学、政治传播学者及对二战宣传摄影有分析需求的观众观看——它能清晰展示古典好莱坞叙事被工具化后产生的危险美感。费迪南德·马里安以克制内敛的肢体语言演绎苏斯的优雅与贪婪，与海因里希·乔治饰演的正面角色构成“诱惑-抵抗”的二元博弈。

　　In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancee. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman."
　　
　　Summary written by Kevin Rayburn

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