故事是这样的：一个红头发的小男孩生长在乡间，母亲对他百般挑剔，兄长和姐姐总能轻易得到宠爱，而他却连吃饭时摆错刀叉都会招来一顿责骂。夏洛特·巴比尔-克劳斯饰演的母亲没有一句台词，只靠嘴角的冷笑和手指敲桌面的节奏，就把那种不动声色的精神虐待演得比任何嘶吼都窒息。剧情围绕一位红发女性在家庭教条与自我欲望间的撕扯展开，不靠狗血反转，而是用早餐桌边的沉默、窗玻璃上的指纹这类日常细节层层堆叠压抑感。 ❀。
这种压抑不是戏剧化的，而是生活本身磨出的毛边。
饰演母亲的夏洛特·巴比尔-克劳斯更是精准演出了那种不动声色的冷酷。
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
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