有的人活着有的人死了

故事是这样的：一座远离人烟的古老庄园里，患病的父亲与成年的儿子独自生活。里奥·比尔演的那个有精神问题的儿子，眼神从空洞到暴戾的转变叫人发冷；罗格·洛伊德-派克扮演的父亲，那种疲惫又无力的挣扎几乎要溢出屏幕。本片适合偏爱**心理现实主义恐怖**、能忍受慢节奏沉郁氛围、并对**家族代际创伤**叙事感兴趣的观众——它更像一部用恐怖外壳包装的存在主义家庭片。西蒙·鲁梅莱的叙事像一把钝刀，不急着割开伤口，而是反复摩擦——这种压抑感会让人坐立不安。里奥·比尔演的儿子詹姆斯，那种神经质的眼神和佝偻的肢体，让你一边烦躁一边又忍不住同情；罗格·洛伊德-派克演的父亲，疲惫到连敷衍的笑容都撑不住，每句台词都像挤出来的。剧情推进缓慢但绝不无聊——它不给你跳出来的出口，而是让你陪着角色一起滑向崩塌。

　　A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by Bob Lee

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