光影生涯

本以为这部1949年的老片子会充满说教味，我没想到的是——它竟用一种近乎纪录片的粗粝质感，把那个时代电影人的窘迫拍得如此鲜活。没有大起大落的剧情，却把“爱电影，就是爱这世界偷偷藏在光影里的褶皱”这件事，掰成了早餐时的面包屑、雨夜修机的手电筒光，连结局里老放映员抱着旧胶片盒坐在空影院里的影子，都让人觉得——原来有些人的一辈子，本来就该是这样“慢慢亮、慢慢灭”的电影。 配乐上，曼努埃尔·洛萨达的吉他主题反复出现，却在关键场景突然被管风琴的宗教音色打断，如同命运的不祥叩门。剧情里好多关于片场生活的细节，看着特别新鲜，感觉就像穿越回了那个年代。片长不到九十分钟，却像翻完一整本相簿。 要是你偏爱“接地气的人情味儿”，或者没事就爱翻旧照片怀念过去，这部片保准能让你安安静静看完整场，结尾字幕出来时，说不定会小声叹一句：“哦，原来以前的人，也这么爱凑在一起‘守着光’啊。

A great spanish cult movie!!　　This is one of the most astonishing films ever made. It has some scenes that it should be in the history of cinema. Like the filming by Fernando Fernan Gomez of the militias using a big roll of paper to win a positions. Or the begging of the film based on real events. The birth of the director inside the carp where the first cinematographer was showing the train arriving to the station. Being shoot in really simple way it's amazing the proper use of the audiovisual language. The late Guillermo Cabrera Infante showed this film in a Canadian film festival in Spanish without subtitles when the projection finish the audience didn't move and they ask for seen the film again. The effect of this film in the audience is unbelievable. None a single person that has seen this rare Spanish movie could forget it. Except the main actor Fernando Fernan Gomez who never remember work on it.

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