怪物陈列室

与同时期热衷表现主义扭曲空间的德国电影不同，1924年的《怪物陈列室》选择把镜头端平，像观察邻居一样注视马戏团里的畸形艺人。吉吉饰演的女驯兽师在铁笼外整理假发时的一个小动作，就让观众明白：所谓“怪物”，不过是镜子另一端的普通人。让·缪拉和鲁伊·莫兰的对手戏像两把钝刀互相磨，疼得人坐不住。没有刻意煽情，而是通过重复的舞台调度与面无表情的特写，让残酷与荒诞自行浮现。 :D。雅克·卡特兰没有用夸张的布景扭曲现实，而是把镜头对准马戏团后台的灰尘与汗味——畸形人与杂耍艺人挤在阴影里，目光里的疲惫比任何妆造都骇人。

Married carnival performers are subjected to the abuses of their employer in this silent film gem that has not received as much attention as it deserves. When the boss' unwanted advances on the wife are refused, he taunts a lion until it nearly kills her. But the other performers assist in a unique plot for revenge. Jaque Catelain directs and stars in this film made for influential French director Marcel L'Herbier's production company. Some sources also list L'Herbier as co-director, as he is credited here. The film boasts some rapid-fire editing techniques that were decades ahead of its time.

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