怪兽婆婆

《怪兽婆婆》的叙事巧妙地建筑在一种“错位对抗”之上：导演罗伯特·路克蒂克用轻快的节奏和明亮的色调，包裹了一个关于权力争夺的暗线。简·方达的表演层次丰富，将表面优雅下的神经质与脆弱拿捏自然；洛佩兹则以灵动反应承接压力，两人如双人舞般默契。最妙的是喜剧节奏：前半段你跟着女主一起憋屈，后半段看她终于反击，那些互怼的台词俏皮又不夸张，笑点自然得像真实对话。如果你喜欢看两个聪明女人斗智斗勇，或者自己和长辈相处时有过类似哭笑不得的经历，这片子能让你边笑边点头。如果你最近被生活压得有点喘不过气，或者想和家人一起看部不尴尬的合家欢电影，这部老片子刚好能当一剂不腻的甜品。 6️⃣6️⃣6️⃣。

　　When the pandemic starts, Dona Isadir doesn't think twice about renting out her apartment in Cachambi, in the North Zone of Rio de Janeiro, so she can be closer to her family. She decides unilaterally and without warning to move into the mansion owned by her son Carlos in Barra da Tijuca, much to the dismay of her daughter-in-law, Alice. Her grandchildren, Jonas and Márcia are caught in the crossfire, while the family's longtime employee, Marinez, has a front-row seat to the fireworks. And we haven't even mentioned the parties and cookouts with old friends from Cachambi, namely Fátima and Cezinha.

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