洪水1924

这部1924年的默片堪称“视觉诗学”的典范。路易·德吕克彻底抛弃了传统的戏剧动作，转而用超写实主义的手法，通过慢镜头和自然光，精准捕捉了洪水来临时平民真实的恐慌与生活细节。 如果你痴迷于“理性电影”的美学实验，或者单纯想欣赏20世纪初欧洲文艺青年那种特有的颓废气质，这部影片绝对不容错过。 虽然全片几乎没有对白，演员仅以肢体和表情示人，但那种紧张感直击人心。如果你钟情于凡尔赛学派那种以技术革新艺术形式的探索，或是对20世纪早期现实主义题材感兴趣，这部作品绝对不容错过。德吕克抛弃了复杂的对白，以光影律动代替情节叙事，甚至首创“上镜头性”理论，赋予影像灵魂。

　　Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema  journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.

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