小驴比姆

1951年阿尔伯特·拉莫里斯执导的《小驴比姆》延续了他对自然与童真的凝视，叙事上摒弃了传统戏剧冲突，以近乎纪录片式的散点结构，沿着小驴的足迹串联起普罗旺斯的晨昏光影与乡野生态。导演拉莫里斯后来拍出《红气球》，在这部更早的作品里，他已经懂得用近乎纪录片的手法，让普罗旺斯的阳光、尘土和驴子的喘息声自己讲故事。 ;)。 ☆。导演拉莫里斯像拍纪录片一样，把镜头对准小驴发亮的绒毛、它竖起的耳朵，还有男孩蹲在泥地里哆嗦的膝盖。也适合带着孩子一起看，但孩子得能忍受至少十分钟的沉默画面。

　　An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.

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