威士忌

故事是这样的：一个废柴侦探受雇去跟踪自己正处于青春期的继女，本该是场严肃的寻找任务，却变成了一出尴尬又荒诞的家庭闹剧。这几个人凑一块那就是互相拆台、鸡飞狗跳，一堆破事全搅和在一起。这里没有只顾讲笑料的“狂欢”，它更像是一台微缩的心理外科手术。安娜·卡兹演的那个让人看着又气又怜的妈，演技绝了，光一个眼神就能让人把醋瓶子都捏碎了。有人说，他在街角那家荒废的小酒馆后面发现了什么，紧接着又有人说，那屋子里藏着一本珍藏的旧账簿。如果你喜欢看成年人用不按常理出牌的方式对抗无聊生活，或者偏爱这种带点刺又充满温情的喜剧，这片子绝对适合你。

　　In Uruguay, they don't say cheese in front of the camera - they say whisky. Beneath the artificially photographed smiles, however, is a blueprint for the "South American Gothic," minus the farm and the forks. These Montevidean folks' stony expressions belie a life gripped frozen by accustomed routines. So it goes with an old Jewish bachelor who owns an ageing sock factory. When his estranged younger brother decides to visit for their mother's burial, he asks his employee Marta to pose as his wife. The resulting encounter creates clumsy silences that are uncomfortably comic. Grand Prize, Tokyo Film Festival and FIPRESCI prize from Cannes.
　　這一代的年輕人真係好老成好cool，兩個新導演還不到三十，便已拍出型到飛起黑色到痺的老人寂寞晚境。話說襪廠老闆阿積孤家寡人，寂寞到死，一天飛來鴻雁，巴西的弟弟話來拜訪。他要表面風光，唯有求忠厚下屬瑪泰暫充老婆。兩個名字同樣叫孤獨的六十幾歲人忽然親近，彆扭得不在話下。口若懸河的巴西弟弟一出現，畫面調子大轉彎。三人海邊度假，瑪泰沉睡的神經率先波動，往後發生的事估都估唔到。郭利斯馬基式冷面幽默扭橋扭到熱帶南美，黑色照舊輕描淡寫功力同樣高超，另一種風情絕對原創。去年康城驚艷，連奪國際影評人獎及原創觀點大獎。
　　Source: 29th HKIFF (2005)

相关搜索：