死亡之棚

故事是这样的：普里斯特利一家意外闯入一间废弃的雨棚避雨，却发现棚子里藏着一个处于昏迷状态的神秘男子。结尾神反转来得很突然，直接把你晃神。叙事上，影片精准打击了“修仙者”这一亚文化群体，构建了从唯心崇拜到肉体崩溃的跌宕叙事弧光。你会跟着一起心惊胆战，生怕警察真查上门，又忍不住想吐槽这群成年人的荒诞。导演Cullingham摒弃线性逻辑，采用极度实验性的剪辑手法——将杀手潜伏的幽闭空间与居民漫无目的的生活切片进行超现实拼接，制造出令人窒息的心理荒诞感。看惯了常规动作片的朋友，很容易被这种把窘迫当笑料的风格吸引，那些喜欢看怪诞剧情和荒诞互动的观众，应该会觉得还挺有意思的。

　　Trevor is 'between jobs'. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons' return is just the beginnings of Trevor's problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.

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