大洪水2024

比起《2012》那种特效堆砌的全球末日，《大洪水2024》反其道而行——镜头死死咬住一座法国小镇里几户人家的十六小时。适合那些对特效大片审美疲劳、愿意看普通人如何在系统崩溃时做选择的观众——尤其是喜欢《巴黎，我爱你》那种人情味叙事的人。导演没搞什么花里胡哨的慢镜头，反而用一堆晃来晃去的手持跟拍，让你感觉跟主角们一块儿泡在水里，紧张得喘不过气。导演没有堆砌特效，而是用大量中近景跟拍街道如何被浑水一寸寸吞没——那种缓慢逼近的窒息感，比突然的巨浪更让人心头发紧。导演乔迪刻意隐去灾难奇观，用持续的低频轰鸣声和水位线上涨的慢镜头，把那种“闷在水底无处可逃”的窒息感慢慢渗进你的骨头。 适合被常规灾难片喂饱、渴望看到人性狼狈与善意并存的观众。

When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black...

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