卡萨布兰卡之夜

比起那部充满明星效应的《卡萨布兰卡》，《卡萨布兰卡之夜》少了几分史诗般的悲剧张力，却多了份轻松的机智。片中最有味道的细节是老哈勃在屋内踱步时那面古董镜子的运用，把从骄傲到失落的情绪转化成了具象的波纹与阴影。哪怕你不熟悉马戏团出身的喜剧手法，光是被那种隔着屏幕都能溢出来的松弛感和无厘头的互动套路吸引，也完全能看下去。不同于经典特工片那种如履薄冰的压抑感，这里充满了哥特式的血腥与闹剧：只有三枪、失明与魔幻写实的黑白光影构建了整部戏的张力。Groucho标志性的假胡须与他在宴会上一边打枪一边训斥嘉宾的画面，将滑稽推向了极致。剧情就像过山车，反转不断，那首《As Time Goes By》更是百听不厌。

In post-war Casablanca, Ronald Kornblow is hired to run a hotel whose previous managers have all wound up being murdered. French soldier Pierre suspects the involvement of ex-Nazis, specifically Count Pfefferman (in reality, the notorious Heinrich Stubel). Pierre is accused of collaborating with the enemy and attempts to clear his name with the help of his girlfriend Annette an...

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