洪水未至

《洪水未至》以近乎静态的等待撕开时间裂隙——导演Marat Sargsyan刻意抽离戏剧冲突，用空镜头与长焦捕捉日常的荒芜感：破碎的镜子、结霜的窗户、反复擦拭的桌面。在日复一日的等待中，镇上的老医生、渔民、杂货店主和一对中年夫妻，各自被逼近的“灾难”勾出了心底的旧账与隐秘。剧情其实很简单：几个边缘人等着大洪水来，日子照旧过。演员全是老戏骨，尤其那个Remigijus Vilkaitis，光靠一个眼神就把那种“活了大半辈子却啥都没变”的无奈演活了，特真实，完全没有表演痕迹。演员们几乎摒弃了表演痕迹，Valentinas Masalskis攥着空酒瓶的手部颤动，Sigitas Rackys低头啃面包时的迟疑，都在放大无力感的内在压强。 影片风格冷冽而克制，长镜头耐心地跟随人物的脚步，湖水的水位线成了无声的时钟。

入围2020年威尼斯电影节影评人周单元 　　A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a w...

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