你燃烧了我

《你燃烧了我》把爱情拍得像个暴烈的迷宫。路易斯·加瑞尔和瓦莱丽·勒梅西埃贡献了堪称教科书级别的“演对手戏”，两人唇枪舌剑间张力拉满，情感在戏谑与爆发间快速切换，极具冲击力。看完绝对会让你想再来一碗“酸柠檬”。罗莎·加拉伊和埃德加·瑞拉贡献了极具爆发力的表演，两人不仅演绎了极致的情感拉扯，更通过夸张的肢体语言和大胆的对白，将男女之间那种热烈、占有欲强且略带病态的复杂关系展现得淋漓尽致。 不管是那种感官享受，还是对浪漫爱情极致的描绘，绝对能击中观众的软肋。喜欢拉美文学那种既宿命又热烈的叙事风格，或是迷恋阴郁美学、迷恋“禁忌感”与“心理博弈”的观众，千万别错过这部后劲十足的电影。

　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

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