三颗纽扣

如果你正在犹豫要不要看，我可以告诉你：这部《三颗纽扣》延续了瓦尔达晚年一贯的“手工电影”气质——镜头像她平常捡拾的海滩贝壳，随意却藏着心事。这部短片适合对“物与叙事关系”感兴趣的观众，也推荐给偏爱诗意结构、厌倦因果链条的影迷。 ☁。剧情没什么大起大落，不过是几个人在午后晃荡、聊些没头没尾的话，但最后一个镜头里Michel把纽扣扔进河里那片水花，让我在影院坐了好久没起身。不适合追求强冲突或快节奏的夜晚。主演们（尤其是那位总在低头摆弄衣领的女演员）的表演几乎没有“演”的痕迹，紧张时咬嘴唇、偷瞄同伴时的眼珠转动，都像真实生活里截取的片段。

Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”

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