我们不该在这里

《我们不该在这里》不像常见的闹剧喜剧那样用密集段子轰炸，反而像把一群陌生人扔进一个错误的空间，然后冷静地观察他们如何用尴尬、沉默和琐碎对话填满时间。没有那种刻意煽情的救赎，但最后大家瘫在沙发上谁也不说话的时刻，反而让我鼻子一酸。西蒙·舒瓦茨演的倒霉蛋特别真实，就是那种你身边总有的、越努力越搞砸的朋友。卡罗琳·彼得斯演的那个总想维持体面的母亲，每次深呼吸都像是给自己灌镇定剂；而西蒙·舒瓦茨扮演的丈夫，全程用一本正经的表情干着最不靠谱的事——这种反差比突兀的台词更戳人。冰箱里只有过期啤酒和冻豌豆，暖气时好时坏，而更棘手的是——每个人心里都藏着不愿提起的秘密。她刻意避免传统三幕剧的起承转合，转而用大量琐碎的日常行为——比如反复摆弄手机、争夺一张沙发——来折射人物关系的微妙张力，这种“反高潮”处理反而让喜剧效果更锋利。

Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.

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