美杜莎之筏

如果你看过杰里柯的那幅名画，就明白《美渡莎之筏》讲的不是浪漫漂流，而是人在绝境里如何一点点剥掉文明的外壳。 ♫。剧情没有简单提供救赎，而是让每个选择都指向更深的道德泥潭。演员们的表现让人忘记在看电影：Olga饰演的母亲把自己仅有的淡水省给孩子时，嘴唇干裂到说话都费力，那几下吞咽动作让我喉咙发紧。适合对历史改编保持审慎、偏好“慢燃烧”式心理惊悚的观众，或是想研究空间叙事如何替代情节驱动的影迷。Olga Kacijan演的那个女人，眼神里全是死气沉沉的倔强，有一段她盯着半块面包发呆的戏，我看得心里发紧。

This is a brilliant surrealistic film.　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.　　The contrast between two realities the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.　　And, the tragedy finishes the artistic ideals are dead, international art brotherhood also, but, as a real disaster Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.　　So, the art falls apart

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