芳心封鎖

《芳心封鎖》摒弃了传统情节剧的煽情套路，转而采用内敛的写实主义笔触。Tofano镜头下的1969年以色列有种粗粝的诗意：橙黄色调里飘着开罗咖啡馆的水烟味，希伯来语对话间突然迸出阿拉伯语的俏皮话。这种“慢叙事”不是拖沓，而是导演故意用**生活化的碎片拼贴**：比如三次出现的公寓窗台上那盆半死不活的常春藤，每次镜头停留都比上一次多两秒，叶尖的枯萎弧度就像女主玛莉亚（Gila Almagor 饰）正在收缩的内心世界。Tofano拒绝戏剧化的哭喊，代之以Gila Almagor细微的面部抽搐、手指对裙摆的无意识绞紧——她在集体劳动的间隙独自凝视沙漠 horizon 的长镜头，比任何台词都锋利。这不是一部靠强情节驱动的爽片，如果你喜欢那种需要静下心来感受、能从人物细微的情绪波动中读出时代重量的文艺片，这部电影绝对值得你花时间细细品味。 :D。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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