英国制造

如果你正在犹豫要不要看，我可以告诉你：阿兰·克拉克用最素净的画面，拍出了生活里最灰色的无奈。导演阿兰·克拉克像把手术刀一样，把八十年代英国职场那种令人窒息的死板和精英们光鲜外表下的空虚剖开给人看。 6️⃣6️⃣6️⃣。蒂姆·罗斯把一个废弃工厂的肮脏空镜演出了诗意，梅兰妮·托马斯的素颜台词像生锈的钥匙，在所有人脸上卡出尴尬的真实感。这部电影讲的是人如何被体制像机器一样打磨，适合对生活有耐心、不急着要爽感的观众，看片时别指望看到典型好故事，光是看主角那身越来越不合身的西装，你就能猜到大概会走向什么结局。不想看那种精致堆砌的文艺片，就喜欢看普通人那点在泥坑里挣扎的狼狈劲儿，或者对80年代英国贫民窟生活好奇的，千万别错过。

Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

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